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Rhythm & Meter

previously in rock, 4/4 meter was almost a "given" ... also tended to be uptempo, heavy backbeat w/duple subdivision

 

Listen to the Beatles innovative use of rhythm & meter

insertion of 2/4 measure:

Revolution 1

2/4 bar inserted at 0:21 on the word "well" (verses: 4 + 4 + 2 + 4 + 4 + 4 + 4)

from the White album

 

Golden Slumbers

2/4 bar inserted in this song also at 0:21 following the word "home" (coincidence?)

from Abbey Road

triple meter:

Lucy in the Sky with Diamonds

alternates 3/4 and 4/4

She's Leaving Home

3/4 throughout

insertion of 3/4 measure:

Back in the USSR

two measures of 3/4 bar inserted at 0:58 (followed by Beach Boys-like vocal countermelody: "oo-ee-oo")

 

alternate 3/4 & 4/4

Blackbird

first four bars (guitar intro, then first vocal phrase) alternate

intro: 4/4 + 3/4 +

verse: 4/4 + 3/4 + 4/4 + 4/4 ...

 

All You Need is Love

(after 4/4 + 3/4 interspersed throughout)

 

alternate 4/4, 5/4, & 3/4

Good Morning Good Morning

    Intro & Chorus are in 4/4

    Verse (beginning with the lyric "Nothing to do ..."):
    | 5/4 | 5/4 | 5/4 | 3/4 | 4/4 | 5/4 | 4/4 | 3/4 | 3/4 | 4/4 | 4/4 | 
    | 5/4 | 5/4 | 5/4 | 3/4 | 4/4 | ... stays in 4/4 (quadruple meter) for a while

alternate duple with compound meter

Strawberry Fields Forever

8th note remains consistent throughout

triplet rhythm in vocal line blurs meter futher (2 against 3)

syncopation

A Day in the Life

listen to piano following "made the bus in seconds flat"

hemiola (3 3 3 3 2 2)

obliteration of the backbeat

Give Peace a Chance (John Lennon)

NO backbeat (clapping is audience)

meter/rhythm blurred to such an extent that even this basic element of rock is not safe!!

slower tempo

Golden Slumbers/Carry That Weight

I Want You (She's So Heavy)

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